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Framing
The Museum of Emigration and the Communities inscribes its purposes in the perspective of the knowledge of the Portuguese emigration, including the phenomenon that was patent for Africa, as well as that existing nowadays, without forgetting the importance of the return, focusing on:
It stands on the visibility of the discovery of its effect, as a consequence of the crossing of peoples and cultures, in the economic, social and cultural national history. It establishes its existence in the fact that geographic mobility constitutes a structural phenomenon of the Portuguese society, leaving marks in all the continents.
Structure
This museum is seen as a web museum in the communicational sense, which means, as an informative platform developing activities of research and divulging, having as privileged addressees the emigrants, descendants and associations, involving scholars who focus their works in this thematic area, in a descriptive, analytical, interactive logic and in a web, giving more importance to individuals, contexts, memories, having as privileged resource the new technologies.
Social Sciences, when integrating the new technologies, widened the scope of its methodological procedures, giving to the technique a new sense. Thus we get to a new concept: the techno science. This framing integrated the technique in the scope of the methods of the bibliographical documentary and experimental research, as much in the qualitative perspective as in the quantitative one, linking the sources, the known information and knowledge.
The techno science makes the technique change from the resource or complement scope to the one of determinative in the scientific processes that can be descriptive, of illustration, as well as the clarifying ones of the quantitative nature. For this last one, the databases and the different forms of graphical representation will have its application, as well as those which combine with the structures space time, in an interactive and web system, allowing its simultaneous conjugation.
The new technologies are a reflex of the analysis structures and influence the conceptual approaches of social sciences, inscribing them, simultaneously, in the scopes of the research processes and communication. In fact, social sciences, museum science and communication construct complementary multiple meanings, making it possible to use methodologies of environment and places reconstitution, and virtual visits, as well as methodologies that are centred in the analysis and cataloguing of museum material and its respective documents museum and historically valuable.
Simultaneously, there are the perspective of the researcher and different social sciences, and the perspective of the users of the platform, constructing a process of reading autonomously, linking, in a web, known information, perspectives and visitors, who can participate and interact directly in the knowledge.
Finally, the web museum is organized as follows: Museum Archive, Museum House, Nuclei and Historical Sites, where the particularities of emigration and/or return are focused, taking into account the origin city, and having the following dimensions:
All the document categories systematically collected and filed have increased importance, as they supply tracks, as much for the localization of individual references as they are the food of the scientific research.
In this interpretative centre there will be the documental and museum material; it will be located in Fafe.
There will be personal objects reconstituting the atmosphere linked to the daily routine of the family and showing, to a certain extent, the migratory process and social mobility.
The building is important for its location, its architectural characteristics, the decoration of the interior and respective furniture, as well as the history of the Family of the Brazilian, in public and private contexts.
The most significant expressions of the XIX and first half of XX century Portuguese culture must be visible. Therefore, there is no necessity to reinvent the past, but only the desire to provide it with the possible readings in an open perspectives picture, taking into account the diversity of the visitors as addressees.
In Fafe, a case which was already studied, the nuclei show the material and symbolic expressions of the cycle of Emigration and Return to and from Brazil; these expressions are a reference for the construction of the museum nuclei: Hydroelectric-power of Saint Rita; of the Arts; of the Press; of the Philanthropy; Industrial; of the Public Walk; of the Brazilian’s House; of the Instruction; of the Automobile.
These are one of the foundations of the museum, for livening up its activities and being associated to the contents of the Thematic Rooms.
The main services are: planning, execution and spreading of the activities; support to the ancestry discovery; information on the origin territories; interchanges, contacts and organization of activities of spreading; linking to the knowledge centres; collection and documentary organization of scientific works and bibliography; organization of temporary exhibitions of an educative and cultural nature.
Equipa Técnica
Concepção Miguel Monteiro
História, n.º 42, Fevereiro, 2002 - ano XXIV (III Série)
Miguel Monteiro
CONSULTORES
Museologia Maria Beatriz Rocha-Trindade
Pesquisadora e coordenadora científica do Centro de Estudos das Migrações e das Relações Interculturais /CEMRI (Unidade de I&D n.º 289 da Fundação para a Ciência e para a Tecnologia/Ministério da Ciência) - Universidade Aberta
Documental e Bibliografia Henrique Barreto Nunes Director da Biblioteca Pública de Braga - Universidade do Minho
Museology
Maria Beatriz da Rocha-Trindade Pesquisadora e coordenadora científica do Centro de Estudos das Migrações e das Relações Interculturais /CEMRI (Unidade de I&D n.º 289 da Fundação para a Ciência e para a Tecnologia/Ministério da Ciência) - Universidade Aberta
Henrique Barreto Nunes Director da Biblioteca Pública de Braga - Universidade do Minho
Executive Administrator Antero Barbosa
Miguel Monteiro Execution of the web page
Fernando Mota
Ana Pessoa, Lucia Sanson, Manuela Andrade, Agostinho Vaz
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